While introducing Riki-Oh, the Story of Ricky, Edgar Wright reads from a list of keywords that includes the different ways Ricky could do damage to the bad guys’ bodies. Foot on leg, head bashed in, head ripped off. I know they don’t even try to make the blood look real but it was still oh-so-disgusting.
‘He does one thing in the end and we ask “Why didn’t he just do that in the first place?”‘ I guess he just had to make sure that it wasn’t an empty gesture. But yeah, there’s many ways he could have escaped the prison or at least a room where he’s in. Don’t life the damn ceiling, that guy just broke the brick wall over there! But no, he has to do it the hard way. He has to be the hero, he has to hurt himself, he has to be shirtless all the time, he has to break flutes, he gets buried alive, he has to soak himself in the rain and do karate moves for dramatic effect. I do give him props for not getting grossed out while touching maimed body parts. And his acting is more tolerable if you’re hearing the dialogue in Chinese.
When the film looks back at Ricky’s childhood, his uncle asks, ‘You are no longer a boy, do you still have your superhuman strength.’ Because his uncle knows smooth segues like that. Knowing that, we understand how he can heal quickly when he gets cuts on his face.
Also, horrendous Asian haircuts. I also don’t understand why the gang leaders need licenses to ridiculous outfits and hairdos.
All in all, ridiculousness. Not that there’s anything wrong…
After talking about spousal abuse and Ingmar Bergman, I decided to let my hair down and go watch Flash Gordon ’80 as part of Edgar Wright’s series “The Wright Stuff,” educating Toronto hipsters about movies he likes. Flash Gordon is like Barbarella with a dude and less sex and more coherent and funnier.Basically, our hero Flash and his love interest, Dale, accidentally find themselves as prisoners and rebels on the Mongo empire. There’s a scene when Flash tries to telepathically communicate with Dale, but he gets distracted.
Flash: Oh my God. This girl’s really turning me on!
Dale Arden: I didn’t quite get that. Think it again…
Oh, girl. You did not wanna know.
Or the scene when the opposite prongs of the love triangle, Dale and Princess Aura finally meet. They yell at each other about being prisoners without talking about who is imprisoning them. And of course, pillow fight!
Maybe this movie was too early for its time, with its snark and all, but at the same time the aesthetics totally belongs to the cusp of the 80’s. It also fits within the transition between New Hollywood and the 80’s in a way that this movie is where the crazy went too far. But you know, it’s a beautiful film. Queen provides the soundtrack. Timothy Dalton is in a perfect age in this movie, acting as if this movie was Shakespeare, proposing to his girlfriend Princess Aura after she gets him out of the dungeons. Max von Sydow elevates yellow face into an art form, and yes, an Asian guy just wrote that.