Just saying that Lawless reminds me of “Xena the Warrior Princess” and Paul Gross although yes, the new title is tone-setting and concise. The Wettest County, the movie’s previous title sounds like something bucolic.
I first got wind of this new title change from The Playlist, who also posted a photo and general information about the movie’s casting, implying that Jessica Chastain will no longer share the screen with Take Shelter star, Michael Shannon. The movie is set in Franklin County, Virginia during the Great Depression and centres around three moonshining brothers played by Tom Hardy, Shia Labeouf and Jason Clarke, providing great man candy for viewers like us. Also starring in the movie are Gary Oldman, Guy Pearce, Jessica Chastain, Mia Wasikowska and Dane DeHaan, the latter of whom you might know from Chronicle (still haven’t seen it, unfortunately) but I know from the period-indie foreign drama Amigo. I’m also hoping that Chastain’s role is enough to get her an Oscar nomination. Lawless’ release date is on August the 31st which means it will definitely not première at the Toronto International Film Festival, but any sign of a decent movie before fall is good enough for me.
I really need to start Entertainment Weekly more.
This Means War introduces its first recognizable cast member in Angela Bassett during the first scene, her appearance on a McG movie being akin to using an American flag as a dishcloth. At least The Green Lantern waited thirty minutes to waste her talents. She plays agent Collins in the CIA, babysitting two men, Franklin ‘FDR’ Foster (Chris Pine) and Tuck (Tom Hardy). In Hong Kong, they’re instructed to get their target Heinrich (Til Schweiger) and his suitcases and to keep this operation covert. They fail there, bathing the party with glass and bullets but they kill Heinrich’s brother, save each other’s lives and they’re best friend’s forever!
Just get to the cheesy part already. Since Collins condemns both FDR and Tuck to desk work, Tuck realizes how lonely he is. So a spy. Decides. To enter online dating. Coincidentally, Trish, (Chelsea Handler) a housewife from Los Angeles also creates an account but for best friend, product testing supervisor named Lauren Scott (Reese Witherspoon). She’s the kind of beautiful woman who catches herself wearing sweatpants in public just for her ex-boyfriend Steve to spot her, infuriating even on other actresses who ace this charade.
Lauren enters into permanent dress up mode and has a coffee date with Tuck but she walks into a video store and meets FDR. A video store is a place where humans rent or buy physical copies of movies or television shows for ten dollars or more. Lauren eventually dates both men and they discover this fact. But in an exaggerated for of the ‘hero’ in romantic comedies, they break their friendship, waste American tax dollars to survey her likes and dislikes, snoop on each other and literally annihilate each other’s chances with her. Some CGI ensues.
While we’re at it, this movie fails to pass off some of Tuck’s traits. He’s the more virile looking man – he has no neck! – and wears his tattoos like a shirt but for some reason we’re supposed to believe that he hasn’t been to da club or have had sexual relations with anyone after his divorce. Hardy is Bradley Cooper’s replacement for the role. It’s all right if he’s the poor man’s Michael Fassbender but being the poor man’s Brad Cooper is beneath him. Anyway, Tuck’s sweetness and fun side is in his deck of cards while somehow FDR has the edge in this competition by being arrogant.
This movie does have some aesthetic value, appearing expensive but is barely on the good side of the border between flashy and tacky. Every office must have stainless walls, minimalist logos, state of the art technology. Apartments have large objects reflecting character’s taste to pass off their credit card bourgeois economic status as quirk, even for the spies who are so well-traveled that they’re barely home to decorate. Tuck can apparently afford a butch gay interior designer even with assumed child support payments. The decision to deck out the three main character’s spaces also means that they have to bring Trish in as the dowdy one by comparison. This taste is also reflected in the movie’s arty references. I like the already dated second meet cute – they’re showing classical movies in a mainstream video store! – because it involves Lauren saying that Rebecca and Notorious ARE Hitchcock’s best movies. FDR is also one foot within her heart by feigning a love for early 20th century art, although change Gustav Klimt to Fernand Leger and we got ourselves a deal.
I also like the movie’s banter, especially when Hardy doesn’t overplay his lines. It’s also delightful to spot supporting cast members like Rosemary Harris, Jenny Slate and Abigail Spencer. I’m especially partial to Handler and yes, I have willfully let her corrupt my definition of comedy. I almost thought she wrote the script until I realized that there were no jokes about the female anatomy. Her rapport with Witherspoon is clear during their dialogue. I don’t even care if she promotes herself as subversive only to sell out because she thinks that’s what people in movies do. This is McG we’re talking about. I’ve already implied that I can’t like this beyond guilty pleasure. But I see it as if McG and Witherspoon called CAA and a friend to make a movie and tell jokes that the audience will laugh at and forget as soon as they leave the door. It’s not worth thirteen fifty but I got the fun that its cast and crew evinces. 2.5/5