Good evening, San Diego. I’m Veronica Whoreningstone, Tits McGee is on vacation!
God forbid, however, if she say something bad about Ron Burgundy’s (Will Ferrell) hair. Yes, it’s ok to feel comfortable or to just point out the sexism within the jokes because the script wouldn’t be made if it wasn’t as a satire the sexism in the TV journalism industry in the 1970’s. There’s Whoreningstone, I mean Veronica (Christina Applegate) as well as Applegate herself, both having to think on their toes. I keep hearing Jennifer Aniston’s voice on Naomi Watts’ body. As I said earlier though, Applegate has the intelligence and something else. She really fits this film’s modified version of the 1970’s and her diction helps a lot with that. Of course there’s the steely blonde blue eyed-ness, allowing herself to be cold and ruthless when need be. I can’t wait for her and her co-star Will Ferrell reunite for Hall Pass this year.
Anchorman is a more masculine and funnier version of 200 Cigarettes, having a surprising all-star cast that includes cameos of people already famous (Chris Parnell, Tim Robbins, Ben Stiller, Danny Trejo, Vince Vaughn, Fred Willard, Owen Wilson) and those who will be famous in less than a decade (Jon Hamm, Seth Rogen).
I like this shot, but even here in this little moment of beauty, director Adam McKay adds something hilarious. Why aren’t the other citizens of San Diego attacking him, though? Shh, don’t question it. Just laugh, because I am.
Although this post is coming out today, this actually was the first movie I saw in the New Year. Don’t hate.
I wanna start this post with a little farewell.
Aquaman, with gloves on. I’ll send you on a farm, with lots of land so you and other Aquamen can run around. Play in the aquafields.
For some reason, I thought of that line as Steve Carrell making fun of his character, Andy.
And before I start talking about the scene, I just wanna air our a ‘style guide’ item. Do not call a woman or a female character shrill even if. Ever. It’s like calling a black person or character articulate.
But here I am sort of breaking my rules by talking about a scene in The 40 Year Old Virgin, where we’re a few generations after free love but we still have problems. Fine, the scene isn’t directed in a way that I would think a well-directed scene would be. How did Trish (Catherine Keener) even find out that her daughter Marla (Kat Dennings) wants to have sex? How are they still yelling at each other in between Andy’s bike ride to her house? How near does she live from the store? However, this is a comedy, and I don’t know the rules for that yet. And you know what, I like Catherine Keener here. She bellows at her daughter, believably softens a little to Andy and to figure out what Marla is saying and gradually brings her volume back up for Marla. Watching them go at each other makes my throat hurt.
I love the exchange here.”Oh, mistake. Okay, so I was a mistake then?” “Oh, you’re not a mistake. Your sister was the mistake!” Or “Oh my God, are you kidding? We never have sex! Do we ever have sex?” “No we don’t.” “Ah-ha!” “What?! You do, you’re such a liar! Why are you lying to me! Why?” And Marla says something about boyfriend and go. They realistically show their emotions on top of their lines. Some fights don’t have high and low volume times, they’re just fights. And one of the greatest ones I’ve seen under 90 seconds.
She shows she has a life outside and before her boyfriend. It’s arguable that she is or isn’t a perfect mother but she’s protective and has good intentions. Trish is comfortable enough to introduce Andy to her ‘real family,’ opening up to her flaws. She asks “Oh God, you wanna run away, don’t you?” and like a gentleman, Andy doesn’t. Because Andy has his own flaws and secrets too.
- Interview: Steve Carrell (guardian.co.uk)