Not to be confused with the Rick Mercer show, the documentary “Made in Canada” is coming out on SunTV at the fall. It’s so cool it doesn’t have an iMDb page yet. Well, it is fall now, and I hope my fellow countrymen sees director Scott Boyd’s journey into making a film in his land. He brushes us up on Canada’s film history and the ridiculous quest for Canadian public funding centred in Toronto (film) and Banff (television). Boyd interviews the people running the system and those defeated by it, as well as discussing the fate and reception of the material that does get approved. Although there’s a lot of footage of Boyd in a funding conference, cringing in a large chair with a drink in one hand, there should be an optimistic end to this rainbow. Like him, the people he interviews have a great sense of humour about the system and the marketing of Canadian films, a quality that helps them in their journey to get their stories out.
This documentary also takes me back (remember “ZedTV?”)when I actually watched the real films in Showcase in my high school years when the channel was still cool. The latter channel, as much as they showed worldwide and Amerindie fare, also introduced me to the work of Vincenzo Natali and is the reason Don McKellar, pre-Grey’s Sandra Oh and Sarah Polley, not interviewed in the doc, are still my heroes. Thus, the defeatist tone of the film’s first half differs from my experience, because the same people who say that Canadian films suck are the same people who say that Toronto is boring, which, get out there, you’re wrong. Which brings us to the people who don’t give Canadian content a chance who get ‘fair’ representation in the documentary.
It wasn’t until watching “Made in Canada” that I realized if any of those movies made money in theatres where it’s supposed to count. And like every other boring film fan, there’s a few screenplays dancing inside my head, and if writing it feels like walking a mile, getting it out there will feel like a thousand. Good luck to us all.