…the Nina (Natalie Portman) stretch. Not gonna happen. If there’s any reason for Portman to win an Oscar, it’s this.
[ETA on January 2011. The image above was one of the ‘linkouts’ of the day. I remember reading from the American Cinematographer how Libatique there were a lot of mirror shots, and that digital cameras hide themselves well, post or without post. I keep changing my mind about this movie, the technical aspects of it make me appreciate it more. Where’s the camera? p.s. I’m not really looking for the camera.]