‘I realize that it dun sound as funny as I described it.’ You bet, star and director Jay Chandhrasekhar.
‘Cocaine?’ And it’s customary with every thing written about Super Troopers ever to say that the ageless Lynda Carter, also known as Wonder Woman, makes a cameo here as Governor Jessman. Another cameo is Geoffrey Arend or Mr. Christina Hendricks, who looks taller here because he’s skinnier a playing a teenage partier back a decade ago.
‘Sorry I don’t talk to highway hog.’ Marisa Coughlan, one of the late 90’s smart blonde ingenues, is less embarrassing here than in her two other movies. She’s playing a ‘female cop facing sexism in the workforce’ kind of role, and she crosses bureaucratic lines, performs banter where no one laughs at each other and takes a liking to a titular state highway patrolman (Paul Soter, specifically) living in a small, fictional border town called Spursbury, Vermont. She helps him solve, in her own special way, the big drug case that will save the troopers from being slashed from the state budget. Part of the plot involves Canadians as drug supply enemies which, you know, it’s usually the other way around but we do have product to sell on our side too, admittedly.
I’m not sure whether this movie is ambitious or not so I can’t compare it in that yardstick. But ‘stoner frat boy comedy,’ in its early stages? Chandhrasekhar, with his comedy troupe called Broken Lizard, makes his movie look professional in the cinematographic sense. But he underplays the comedy, the camera too distant and the surreal sequences, which probably looked fantastic in the script, are not paced well. Not even sleep deprivation, which is a drug in its own classification with which I’m addicted, can make this funny. Too many dick jokes, unnecessary cursing and weird-for-weird-sakes kind of costumes. This is an almost deal breaking movie to those involved in making it even if yes, the mixed critical reception for this isn’t as bad as I thought. Broken Lizard also made Beerfest, a movie of which I have a sliver of interest because “Saturday Night Live” alum Will Forte stars in that one. And they’re making a sequel.
There’s also a subplot involving a trooper named Farva (Kevin Hefferman) who bounces between patrol work, desk and cleaning duty. These switches make him betray his co-troopers and join the real police force. I mention him to warn you guys that there is gross full male nudity here (sorry if the warning is too late). But at least it’s equaled by partial male nudity. Three times. The director takes one for the team.
And this is funny, Brian Cox being the veteran that he is and playing ‘angry drunk’ effortlessly. Although his musical speaking voice is betraying that he has better training than this movie.
You might know her as The Queen or as Supt. Jane Tennison whoever but I will always remember Helen Mirren in the first movie I’ve seen her in, playing the title role in Teaching Mrs. Tingle. She’s the stereotypical teacher from hell, 90’s bowl cut, angry American accent and all.
Some film geeks might herald 1999 as a banner year but it was also a part of that decade, seeing the release of many teen movies. We have the headlining adult in this film but where do we get the young stars to get my attention? Why television, of course! At the time Katie Holmes, also coming out with Disturbing Behavior, was then one of successful “Dawson’s Creek” alums. There was also “7th Heaven’s” Barry Watson.
But let me present you Marisa Coughlan. While Leigh Ann Watson (Holmes) and Luke Churner (Watson) are ‘going to school or home so they won’t look suspicious,’ they assign Jo Lynn Jordan (Coughlan) to Tingle watch. So ‘aspiring actress’ Jo reenacts famous scenes from classic movies, passing the time. At one point she has to pretend to be Tingle when the married Coach Wenchell (Jeffrey Tambor) comes over, Jo sounding more like Isabella Rosselini instead of Mirren. She has to wear Tingle’s clothes and perfume, coming too vulnerable and close to the dark side.
I find one scene interesting, when Tingle finally makes Jo into believing that Leigh and Luke are having an affair behind her back and Jo readily believing anything she has to say. For argument’s purposes, Jo is being a bad actress in front of Tingle, saying the words ‘You’re lying’ so insipidly but the latter can’t see it. I don’t know how intentional this is on Coughlan’s part, or that writer-director Kevin Williamson can’t transition from one part of the scene to another, but I’ll call this subversion. Points for Miss Coughlan.
- Jarv’s Birthday Series: Christopher Columbus: The Discovery (1992) (moonwolves.wordpress.com)