The narrator (Lewis Black) talks about a large family sitting on a table to celebrate their paterfamilias’ (Ron Rifkin) seventieth birthday, describing every one of the father’s children as a series of mistakes. The civility and silence break when the unemployed singer/actress/dancer Cheri (Sarah Silverman) bellows at her younger, successful brother Nathan for writing a novel, also named Peep World, too accurate for her taste. This is best scene of the film, although the scene isn’t finished.
The body of the film is a flashback eighteen hours before this dinner, unsurprisingly revealing this fictional book’s secrets and more. Jack (Michael C. Hall) has a wife (Judy Greer) who faintly swears at him during her sleep, Joel’s (Rainn Wilson)’s big SUV breaks down in the middle of nowhere, Peep World the film is filming in front of Cheri’s home and Nathan is very condescending to his PR agent (Kate Mara). Every sibling has a sexual Achilles’ heel, all used for effective comic relief.
This film also has sincere moments, like the falling out when Jack’s wife finds out he frequents an adult theatre, a scene both well-shot and well blocked. The film eventually heads to the restaurant where cruelty, revelations of decades of hurt feelings and comic reliefs are the main dishes. The cast elevates this funny film, also including Taraji P. Henson who delivers the film’s best line and Geoffrey Arend, the luckiest man on earth. This is lowbrow entertainment at its classiest and best. Rating – 3/5.