‘Christmas,’ exclaims Louisa. “My Favourite Things,” a song from the infamously jolly movie musical The Sound of Music, reflects the bucolic existences of the nun turned governess Maria Rainer (Julie Andrews), and the kids get this too, Marta naming pussy willow (?) as one of her favourite things. She’d fit in well in Berlin. Liesl (Charmian Carr) names ‘telegrams,’ not just indicating Rolf, the creepy boy who sends them, but she also breaks the pastoral spell and naming something modern and technological. She’s becoming a modern woman, a potential improvement on Maria herself.
Kurt names ‘snakes,’ reminding Maria of his earlier pranks with her and showing that the kids aren’t devoid of personality after all. I’ve been watching movies where the main/’supporting’ characters listen to others to understand them, simply enough. Later in the film, a wet Maria shows her master Captain Georg (Christopher Plummer) that she’s been doing her homework with the kids and that she’s one step ahead of him.
This movie’s very much maligned, a friend of mine actually saying that if William Wyler directed the thing, the film would be more veracious with its time. And he’s not alone. But this movie is set in 1938. It accurately portrays an antebellum, when characters declare war through whispers, speculations and accusations, when the rich worry about their trifles and of what’s to come. Georg spanking his children is potentially as frightening as the Nazi ‘spider’ banners. It’s just as human to see joy in frightful times, while it’s insulting if a movie about say, our times is full of characters who are constantly depressed. A movie, like a nation, is allowed to reimagine its Arcadian past while anticipating is future, right?
Lastly, I don’t know if it’s just me, but the reprise for “The Sound of Music” sounds like it could fit well within a Summer of Love setting or concert. But then Captain had to ruin it, but not as much as these guys did.
Before I talk about the likes and dislikes about the movie, I just wanna say that Despicable Me is in between good Avatar and headache-inducing Alice in Wonderland in the spectrum of 3D films. If there’s any part of a 3D movie when I take off my glasses and don’t see anything different from watching the movie with or without the glasses, we have a little problem. I do like he sleek designof some interior/exterior spaces of the film, however.
Here, however, is the structural conundrum about Despicable Me. The first scenes are boring. I didn’t really wanna see our anti-hero Gru (Steve Carell) freeze-ray his way into getting a latte. However, I can’t think of away to cut any of them because if I do, I won’t have enough background on the characters. Basically, Gru, a worn-down villain, adopts three girls to infiltrate another villain’s lair. These tedious introductions help make the children sympathetic and make Gru’s 180 much more surprising and delightful.
Gru’s Eastern bloc accent is stage-y yet not distracting. The children even make fun of it to show him how incompetent he is at being a villain. There are also flashbacks within the film showing Gru’s childhood when his mother (Julie Andrews) shrugs off his little achievements. Most people with terrible childhoods like Gru’s have shortsighted reasons for having or adopting kids and they treat their children as terribly as they have been treated. However, Gru turns out to become a perfect parent. Maybe it’s because Gru, like many adult protagonists in animated films, are children in adult bodies who is looking for playmates. Maybe it’s because the girls are kinda bratty and sarcastic and they’re not the kind of children you lie to or mess with.
Nonetheless, it’s also very funny. It takes a while for the movie to bring on the laughs, but it’s worth the wait. This movie also has the greatest Godfather parody scene in recent memory, and there are funnier parts of the film than that.