I don’t wanna be that guy who ridicules the Academy for its missteps, but I just noticed something about the year I indicated above. What do I know, I’ve only seen seven movies from that year, but those seven have pretty good performances. In essence, I’m FYC’ing people 50 years too late, and I’m really pushing myself for a chance to watch the movies that won and were nominated pretty soon.
Elizabeth Taylor got a nod for her performance in “Cat on a Hot Tin Roof.” I haven’t seen it in a while. For an untrained viewer it would seem like there’s nothing special about her performance. But then her husband died while she was filming. Another actress could have made Maggie unwatchable, desperate and shrill but she made her character alluring and strong. But is that enough? Besides, Richard Brooks turned the movie into a ‘sexy drama’ and I still wonder what Elia Kazan would have done if he directed.
I do however have high praises for the supporting cast, who stole the show. Judith Anderson was haunting as Big Momma, and I can’t believe she was overlooked. And she gets better with other movies, but I love Madeleine Sherwood here too.
And then there’s Kim Novak in “Vertigo.” Honestly, I like her more as Judy Barton. Matt Mazur called Judy Barton ‘de-glammed’ although I see a campy character who’s rough on the edges, the total opposite of the classy Madeleine. Basically a character who’s lived two lives. Novak thankfully made her character balance these two personas well, without seeming schizophrenic. Novak could either have been a lead or supporting, but the poor box office revenues probably took it out of consideration for the Academy.
Another overlooked masterpiece is “Touch of Evil.” I don’t know why I’m so partial towards Janet Leigh because she becomes so much better a few years later and the Academy only paid attention to her once. Regardless, she can do more asleep and drugged up more than most of her generation can do awake.