Series idea via Tomas Sutpen. Yes, I should get tumblr but I just got a gmail this week. Baby steps. Yes, I am a copycat. Yes, I may have just helped you write a thesis. And yes, these shots summarize half of the movies they come from Check out the other half next week.
There was a Q&A after a screening of John Cassavetes‘ A Woman Under the Influence with its star Gena Rowlands. I wanted to ask about Cassavetes’ Kubrick-esque methods towards directing or how this film might have been about their generation. Her character, Mabel Longhetti declares that she’s not a ‘stiff,’ mocking other housewives’ affectations. She balk later and tells her husband Nick (Peter Falk) that she can be anything he wants but he tells her that she’s fine the way she is. Their brashness rebels against past generations’ behavioural conventions as well as those people’s facades of white normality. Instead, I asked instead about whether she thinks Mabel’s insanity comes from society or within – like anyone, she said both.
The film is frustrating because of how it portrays Mabel’s, like Pink Flamingos but with complex shot schemes. The camera blurs or closes up on characters during conversations with others who are off-camera. Cassavetes didn’t want to plop a camera down to capture a domestic drama through wide-shot long takes. Instead he cuts to different angles, skipping from one thread of a conversation to another, making sense in portraying the tempers firing off from different characters as well as their constantly changing allegiances for or against her.
Reading Jessica Winter’s book “A Rough Guide to American Independent Film,” I misconstrued her synopsis of the film and assumed genre conventions, thinking that Mabel being ‘committed’ is Nick’s fault. But her insanity surfaces first, causing his outbursts, making him unsympathetic. However, there’s some progressiveness or even misguided feminism in him – seeing her post-hospital self makes him want her earlier imbalances back. Maybe the double standard shows that we can dismiss Nick’s insanity as boorishness while her essential role in the family can’t make her expendable. That her insanity being separate from their idea of her while there’s no ideal Nick.
“Masks and Faces: The Films of John Cassavetes” continues until July 31st at the TIFF Bell Lightbox. Tonight’s movie is Husbands at 6:30.
- Gena Rowlands on John Cassavetes (arts.nationalpost.com)