Hedwig and the Angry Inch
Apparently Michael Pitt played a young, clean-cut football jock in “Dawson’s Creek,” thus becoming the show’s second most successful alum. I watched the show’s first two seasons but I wouldn’t know. The Michael Pitt that I know is the one who got his rocks off at a tub, as well as other forays into American indie cinema.
The off-Broadway incarnation of “Hedwig and the Angry Inch” has its star, writer, and director John Cameron Mitchell plays both the titular East German transsexual rocker and her arch-rival Tommy Gnossis. The film begins with Hedwig singing one of her songs about the origin of love and he might as well be singing about their broken relationship as lovers and mirror images as well as about his disjointed body. In the film, Pitt plays Tommy and we can see the characters in their separate lives when Tommy has become famous and during flashbacks, when Hedwig is still singing in restaurants and Tommy is still a God-fearing 17-year-old. Instead of an off-screen reference, Hedwig now has someone to lust for, to break her heart and to plot revenge against.
Pardon my ignorance on queer trans body politics, but it’s easy to assume that drag is an exterior performance. Camp and sex appeal, essentially. There is some truth to this bravado in the film, as we look at Hedwig’s glazed eyes as he looks into the mirror, looking like one of the deadpan mannequin heads where he places his many wigs. But Mitchell also remarkably infuses interior layers within Hedwig, a confident performer and a vulnerable child. There’s a revelatory scene when he appeals to Tommy that he Tommy loves her, he should also love the front of her. Of course it’s a hard sell. Nonetheless, her drag side is so human that we the audience might be surprised at what she looks like in the end.
Trailer: Rabbit Hole
Never noticed this shot before. I also just noticed how it’s always in darkly lit places where Becca (Nicole Kidman) and Howie (Aaron Eckhart) meditate on their loss. I don’t know how I notice stuff in two minutes’ footage instead of two hours of a complete film. Don’t know if that’s a good sign or not.
ETA: I also noticed how Jason (Miles Teller) has this confidence within him. The scene shown in the trailer is one of the later ones, which contrasts from his earlier scenes where he’s the archetypal awkward teenager. It’s as if Jason grows up as the movie progresses.
Brad Brevet posted the trailer on his website yesterday. And I don’t care if it breaks my rules of rewatching films, but I will watch this movie again. December 17, guys. ETA: trailer from MovieReel
TIFF: Rabbit Hole
In John Cameron Mitchell‘s adaptation of David Lindsay-Abaire Pulitzer winning Rabbit Hole, Nicole Kidman plays perfect modern wife Becca Corbett, and the film can serve as a primer for what Kidman can do. In describing Becca, the people in her life – her husband Howie (Aaron Eckhart – not a good yeller) her mother Nat (Dianne Wiest), her sister Izzie, Jason, the people in her God-fearing support group – would give different answers. The audience can watch Becca pretend to be normal as she does her chores. You can also watch her giddily hopping down the streets of Manhattan in high heels as she goes back to her old turf at Sotheby’s. And almost get turned on by Al Green. And make drug jokes. And cry while watching teenager Jason be driven off to prom.
Abaire re-imagines the characters in his play. Becca, Howie and Nat are intact, he waters down Izzie’s confrontational trashiness while Auggie and Howie’s SPOILER alleged mistress (Sandra Oh) END SPOILER appears in the film. Like Becca and the principal characters in her life, the film never reuses the same emotion or depicts every scene in the same way. Sometimes the cloud hanging above Becca and Howie, perceived by others, lifts and humour finds its way into their natural conversations. Rabbit Hole, shot colourfully without being too artificial, is not one of those movies that try to change your life. However, it can change the way one thinks of emotion and the permanence of one’s loss. 4.5/5.
- TIFF: A Glimpse of Rabbit Hole Enthusiasm To Come? (filmexperience.blogspot.com)