Geek done good Martin Scorsese is like a pre-Tarantino in his depth in film knowledge. The master, however, exceeds the extra mile by referencing both film and art in his 90’s film Casino, and make those references fit into the 1970’s and 1980’s when the movie was set. Scorsese’s always been visual but it was his work in the 90’s showcased this talent, with movies like Goodfellas, The Age of Innocence, and arguably Cape Fear.
Edward Hopper – although this is a little bit of a stretch
Edvard Munch – SPOILERS!
Finally! And just to let TV folks know that no one can sit through four hours of this with commercials. Luckily, I caught this on the Bloor on Thursday. I was still slightly distracted, partly because I’ve seen most of this movie until the baptism massacre. I’ve read some of the criticism of this movie listed here, so seriously, what else is there to say?
That I’m flip flopping as to whether or not this is nature or nurture – either his safe distance from the family business made him learn enough and to stay temperamental or that Michael (Al Pacino) was ordained to be Don, despite everyone else’s plans. That this is “greatest movie ever” despite that all the principle players with the exception of Abe Vigoda have been better somewhere else.
That Michael, brandishing an Anglo name, had the swagger of Jimmy Cagney once he turned into the hat-wearing gangster.
That this movie’s pretty meditative until the murder scenes, all having the punch of William Wellman gangster movies.
That I couldn’t remember Sterling Hayden’s name and that bugged me for the whole movie, so I just kept calling him Robert Ryan instead.
That Italians really like Italian stage blood.
That where are the women?
That one reviewer actually pointed out Sonny’s (James Caan) shoulder and back hair and yes, I would still hit it.
And lastly, that there’s a place in my heart for Godfather III because Michael and Kay (Diane Keaton) make the cutest old divorced couple ever and that I can turn that into a drinking game, unlike this one.
p.s. CHCH is gonna be airing on pan-and-scan and HD versions of “The Godfather” on June 13th at 7, and the respective sequels will be aired at Sunday June 20th and 27th at the same time slot.
Vivien Leigh may be the great beauty of 1939, but in “Waterloo Bridge” she turns herself into just one of the girls. As Myra Lester she’s meek and chummy and a little bit fragile. We first see her behind other girls passing by the bridge, we only see her because we’re looking for her. She’s not the lead of her ballet company playing in a vaudeville theatre, nor the first lady to get the job or the soldier. What makes her stand out in the crowd and to Captain Roy Cronin (Robert Taylor) are her ideals. The rainy day after their first date will put her in a whirlwind engagement and a series of events that will slowly but surely transform her, and Leigh transforms with her character every step of the way.
Roy, however, keeps the innocence that Myra’s lost, a difficult thing to pull off for a grown man who’s fought in the Great War. He’s also the soldier who doesn’t take no for an answer which makes us feel a little uncomfortable but fortunately finds Myra who’s in love with him despite a few apprehensions. His speech and body language are good, especially in the scene when he has to go through the bodyguards in his barracks. Yes, Taylor only uses the British accent one word per sentence, but we let that go.
Although made by MGM and stars Nebraska-born Taylor, the film is very much British. It kinda reminds me of “Brief Encounter” in a way that there’s a certain noir aspect to the film. Instead of guns and grifters, there are menacing shadows inside night clubs and train stations and ancestral homes and flats, fogs on bridges, headlights on women’s faces. Instead of a suburban American home, romance is set in London grit. It’s like love isn’t meant to last in the city, or that the city has too many roadblocks and temptations that take two perfectly matched lovers away from each other.