…and the quest to see everything

Posts tagged “Grace Kelly

Hat Trick Girls

Doing this post on a whim. Much more actresses have one or two great movies a year, but due to realizing that the great Claudia Cardinale has been in three great movies in 1963, I decided to do some time-wasting and find out which other women have had the same luck.

Yes, I’ll admit that I’ve only seen Cardinale and Williams’ full list while the rest are below because I’ve seen one or two of each actress’ movies. Many of the women on the list are also here because of their supporting roles. It’s hard to carry a great film. Can you imagine trying to do the same for three?

Also, I know nothing about the silent era but I’m sure that I’ll eventually learn that the likes of Lillian Gish and Janet Gaynor have hat tricks under their CV’s, the latter winning the first Best Actress Oscar for three performances. It’s also harder to get names of actresses and movies belonging to world cinema. If I could only double myself and extend the hours of a day.

And yes, Williams is here because as much as I hate parts of Shutter Island, I know a lot of you love it. Although I’m sure her 2011 is looking better than her 2010. Here goes the list.

ph. MGM

Olivia de Haviland – 1939 – (Gone with the Wind, Dodge City, The Private Lives of Elizabeth of Essex)

ph. Universal

Barbara Stanwyck – 1941 – (The Lady Eve, Meet John Doe, Ball of Fire)

Grace Kelly – 1954 – (Dial M for Murder, Rear Window, The Country Girl)

Claudia Cardinale – 1963 – (8 1/2, The Leopard, The Pink Panther)

Faye Dunaway – 1974 – (Chinatown, The Towering Inferno, Four Musketeers)

ph. Miramax

Minnie Driver – 1997 (Princess Mononoke, Good Will Hunting, Grosse Pointe Blank)

Patricia Clarkson – 2003 (Dogville, The Station Agent, All the Real Girls)

ph. TWC

Michelle Williams – 2010 – (Shutter Island, Blue Valentine, Meek’s Cutoff)

A factor in making this list involved representing each decade, one actress per decade to be more frank. I chose de Haviland over Bette Davis’s movies in the same year, Kelly over Marilyn Monroe‘s 1953 (it hurt me to do that), Driver over Kirsten Dunst (Driver might be disqualified since her involvement in Mononoke only came through 1998/1999, when Miramax released the film stateside, but Dunst 1999 films are guilty pleasures that I can’t admit to the public yet) or Clarkson over Maggie Gyllenhaal’s 2002. Besides, this post is a picture overload already, as is most of my posts in this blog.

Correct me if I’m wrong, but there’s no actress in the list that has an 80’s hat trick. Great roles and movie seemed spread out generously among the Meryl Streep generation and the Brat Pack girls.

Lastly, I’ll make a list for the boys and the directors, or make hat trick lists for consecutive years or movies, but only if you ask nicely. Or better yet, if you could do the rest 😛

Incoherent Grace Kelly post

(ph. doctormacro)

Two weeks ago my friend Matt and I were in the greatest monthly movie event when I geared the conversation towards the new Vanity Fair cover with Grace Kelly. Didn’t know she was a Kennedy. He talked about about his absolute disgust at Laura Jacobs‘ article and its insistence of her purity. He said that if she stayed in Hollywood she would have been a sex symbol and not the upstanding demure lady that she groomed herself as. Then we talked about princesses, in which he decided to take a breather and talk about the real world for a while.

My childhood understanding of Grace Kelly was Princess Grace. My young adult understanding of her is the insulting “quitters don’t win” out of frustration. Most importantly are the more recent revelation of her romantic proclivities. But there’s nothing wrong about that because there’s a place in our hearts for girls like that. She was just the beauty that could get away with anything.

I always marveled at the domesticated image of woman of the 1950’s, because the stars of that time, Grace Kelly and half of her competition – Marilyn Monroe, Audrey Hepburn, Elizabeth Taylor sans “Giant” – didn’t look like women who made your eggs and toast. That’s also ironic knowing how Grace Kelly ends up.

(ph German Marie Claire via mojopin via tFS)

And again, the insistence that she was a 50’s girl, which I’m staring to question as a fallacy given her many incarnations in other actresses – Vivien Leigh, Catherine Deneuve, Jessica Lange, Gwyneth Paltrow. True, most of those women have odder roles and didn’t take on the same airs as she did. But if you pay attention to her lines in her movies, written to deconstruct her ladylike image. We should also remember that societal constraints also prevented her from playing the titular character in “Marnie.” Who knows what risks she world have taken?

I look at the picture above and the Vanity Fair cover and the picture where she comes out of a pool and I see Helmut Newton moreso than the New Look.

My mind goes all over the place too while I’m thinking about Grace Kelly. It’s true that for every statuesque blonde there are five actresses who are more petite looking and more aloof than her. But I keep trying to place her at any time in film history and insisting that she could have happened anytime.