‘Cameron Diaz is born in 1972. Her father is Cuban and her mother is part Cherokee. Her Cherokee heritage is the reason we’re showing her movies here at APTN.’ So says the voice-over. Here she’s paired with Pete (Owen Wilson), because the film would rather pay for martial arts training than pay for the more expensive Wilson brother.
This should be bad movie territory, and of course it’s not perfect. It’s also an excuse to advertise Nokia, and break said Nokia. The film also has a lot of different espionage scenarios that it might as well be written by the manatees who write Family Guy, which isn’t that bad of a thing here. I saw it for the first time was when I was twelve. The film also makes room for comedy that I can still laugh at today. I don’t know where comedy is placed in McG‘s priorities, so I’ll give the cast credit for that. Fact! Lucy Liu was the fifth choice to play Alex. Other actresses slotted to play Alex were Julia Roberts and Jada Pinkett-Smith, who have their own humour. Other actresses Angelina Jolie and Thandie Newton can wear skimpy leather office wear. But I can only see Liu balance sexy, campy and funny, both dominating and empowering the Red Star engineers. Of course, the film needs someone who can bring funny as much as Diaz, Drew Barrymore and Bill Murray, who have a steady hand in comedy work.
And who can turn down Bill Murray who in the film look like he’s almost improvising? ‘May I have some ice water please?’ He then does some pretend crying, talks to a bird, plays catch with a wall, put antenna in his head, makes fun of Cher. Hilarious.
‘Bitch’ is used in the film at a time when, I imagine, it would sting as bad as the c-word did last year. The word is mostly directed to the angels. The frumpy woman at Red Star says it to Alex, Natalie (Diaz) says it to Eric Knox’s associate Vivian Wood. But when a guy says it to Natalie, he gets punished for it. To our delight.
Fact! Although this is the movie that helped Barrymore into a marriage with Tom Green, this movie put her in the arms of another man. Sam Rockwell and her play doomed couple Eric Knox and Dylan. This won’t be the last time Rockwell’s character would hide something from Barrymore’s. They’ll also be paired up two years later in Confessions of a Dangerous Mind. Their careers have gone on different paths, but someone pair these two people again, in a more serious movie this time.
The sequence is also one of director McG’s Wachowski Brothers references in the action part of the film, Knox shooting Dylan bullet time style and all. Dylan would later do air kicks, destroying four guys at the same time. Dylan is the shorter and more voluptuous of the girls, the others look like ballerinas while they’re fighting. But she throws more punches that the audience can feel.
The Chad (Tom Green) is great. Where is the Chad? I still think he’s funny and it’s weird to see this film showing him as a relic of the past. Well, as long as he isn’t doing damage to movies today. He’s Canadian? Dammit I was looking forward to hating him!
The film also has a well-rounded soundtrack that covered my bipolar music tastes spanning a decade, from Prodigy to Heart. And of course, to the disco music that is the only clear reference to the TV show in which the movie is based. The final act doesn’t show what Charlie looks like but where Charlie lives. I imagined him to be more of an office guy than some old coot with a Hawaiian shirt on a beach house. Strange. Anyway, Hope you had fun as much as I did.
- Casting the ‘Charlie’s Angels’ Reboot (tvsquad.com)
‘Go back to China, bitch?’ No, chut the fuck up.
English teacher Karen Pomeroy (Drew Barrymore) shakes hands with, as my judgmental friend says, a kiddie fiddler (Patrick Swayze). Guess which one gets fired in the school first. Tears for Fears plays.