Indefensible: Observe and Report
Jody Hill’s (“Eastbound and Down”) dark comedy Observe and Report got a lukewarm reception at the box office mostly because of unfortunate timing – Warner Brothers released the movie about a mall cop three months after the Kevin Smith ahem, blockbuster vehicle Paul Blart: Mall Cop and suffered for it. Thankfully, Criticize This writer and Indefensible founder Andrew Parker and Exclaim!’s Will Sloan are ready to make us believe that this movie is a masterpiece. The film’s star Seth Rogen won’t be at the Toronto Underground Cinema at both this Friday and Sunday screenings, but for us gays and girls who like our guys ‘Rogen size,’ Torontoist‘s John Semley will come to Friday along with CinemaScope’s Adam Nayman – unconfirmed – to trash the movie. I have no idea what size Mr. Sloan comes in. Then this Sunday, NOW Magazine‘s Norman Wilner will introduce, defend Observe and Report and show its similarities to another film showing at the Underground that night – Taxi Driver.
I have cheese factory duties on both screening times so I won’t get to see Rogen and his apparently career-best film performance. Neither will I see the great Celia Weston, nor apparently the greatest fight scene in an English language film, nor the longest full frontal scene ever – not a pun. Nor will I be there to snark that ‘I hate malls, I like boutiques better, I hate the suburbs, I live in Toronto.’ I will be there in spirit. Supporting cast includes Anna Faris, Ray Liotta, Patton Oswalt, etc. Both screenings start at 7PM. Proceeds go to the Organization for Bipolar Affective Disorder.
- Picks of the Week, April 9, 2009 (mrmovietimes.com)
Far From Heaven
(some gay bars are still like this today ph. greencine)
Is it just me, or is everyone in “Far From Heaven” just a little creepy? Grown up version of a boy from “Children of the Corn” randomly showing up in Frank Whitaker’s (Dennis Quaid) hotel room door. Actual children of the corn chasing black girls and throwing stones in their heads. Frank’s wife Cathy (Julianne Moore) randomly showing up at Raymond’s (Dennis Haysbert) trailer-y looking home, with good intentions of course. Flash bulbs. Gossip. Mona Lotter (Celia Weston) spying. Spying! Spying! Spying! If I could give an advice to any civilization, I would tell them not to have too many social constraints, because everyone just ends up being creepy.
“Far From Heaven,” like many melodramas I’ve seen, is almost a masterpiece. The one thing I respect about the movie is that it’s a 2002 movie stuck in 1957 Connecticut, where everything is everyone’s business. The movie can therefore never be judged by any standard other than the latter.
(President Palmer’s on to something. ph. rankeverything)
Because it’s stuck in 1957 I’d understand if some people found this a little pessimistic, but that pessimism comes through the movie’s ending. It could have ended with Cathy’s phone call to the NAACP or another call between Cathy and Frank arranging a meeting. Instead it ends with Cathy and Raymond in the train station (Did he expect her to be there?), putting the other two actions or events on hold. We’ll never know if Cathy ends up volunteering for the NAACP or what’s gonna happen between Cathy and Frank.
Also, I saw this movie in entirety in some shitty pan and scan TV airing, and the lighting’s a bit dark. Again, noir elements in a romance-themed film, using colour filters more than neon lighting. I just hope the lighting and the colours are greater in a better quality version.
Another reason why I can’t fully dislike the movie is the cast, especially Julianne Moore, who deliver dated conversation with such straight faces. Dennis Quaid depicts Frank as a loose cannon, but that’s not too distracting.
p.s. Lars’s essay on the same movie compared to an actual Sirk.