While writing and procrastinating, I decided to have a midnight snack-like Youtube break. Guiding my choices was the overjoyed news that Taylor Swift will no longer play Eponine in Tom Hooper’s Les Miserables and is replaced by stage vet and Nick Jonas’ girlfriend Samantha Barks. She, by the way, joined a elimination-style reality show called “I’d Do Anything” years back, the show’s objective being to find a singer/actress to play Nancy in a West End revival for the musical “Oliver.” She can sing all right, effortlessly making her voice go to eleven without moving a muscle away from her smile. But during results show performances she’s always a kicker or a bridge, letting the other contestants out-act or out-sass her, and the same goes during the sing offs. Had this been a Tyra show, she’d been out during the middle of the show for being ‘boring.’
Then my search veered into the missions the contestants had to do to understand Nancy, some of which involved behaving like Nancy. Now let’s see if the woman can act. Sometimes she just stands there but mostly she has a confident presence, which isn’t the same thing as strong. In some challenge she doesn’t show fear or, on the clip below, weakness, when she’s supposed to. I have faith for her in drama, I just hope shoe doesn’t revert to her early days. But she’s made progress in three years with her voice breaking as the perma-anguished Eponine as part of the 25th anniversary Les Mis concert. Despite her voice, she admits to not being a perfect actress. That’s one out of two, better than Swift’s batting average.
“Evan! We were just doing…sleeping time”
“Shower, and we’re doing some…”
That episode of Greek was something I saw almost exactly last year. That, however, doesn’t mean I haven’t been watching stuff from this season. ABC Wednesdays, NBC Thursdays, “Wilfred,” what else…. Anyway, remind me before Emmy season to talk about those other shows.
This is what I do when I’m doing nothing, post short entries, sometimes with a video. The releases of two of his movies, the underwhelming Drive and the promising The Ides of March, feeds our continuing obsession with Ryan Gosling. I’ve seen the Frank McCullen sketches in the Mickey Mouse Club show, but let’s look at his stint as an R&B singer alongside Justin Timberlake and JC Chasez. via HuffPo.
Ah, he used to enunciate. I love how he sings using his hands and how everyone in the 90’s wore sixteen sizes larger than what they’re supposed to. Apparently he abstained from the dancing element in the MCC boot camp, which might go against him if he ever wanted to be in a musical. Gosling as Enjolras!
- FLASHBACK: Ryan Gosling & Justin Timberlake (In Overalls!) As Child Stars (huffingtonpost.com)
Not to be confused with the Rick Mercer show, the documentary “Made in Canada” is coming out on SunTV at the fall. It’s so cool it doesn’t have an iMDb page yet. Well, it is fall now, and I hope my fellow countrymen sees director Scott Boyd’s journey into making a film in his land. He brushes us up on Canada’s film history and the ridiculous quest for Canadian public funding centred in Toronto (film) and Banff (television). Boyd interviews the people running the system and those defeated by it, as well as discussing the fate and reception of the material that does get approved. Although there’s a lot of footage of Boyd in a funding conference, cringing in a large chair with a drink in one hand, there should be an optimistic end to this rainbow. Like him, the people he interviews have a great sense of humour about the system and the marketing of Canadian films, a quality that helps them in their journey to get their stories out.
This documentary also takes me back (remember “ZedTV?”)when I actually watched the real films in Showcase in my high school years when the channel was still cool. The latter channel, as much as they showed worldwide and Amerindie fare, also introduced me to the work of Vincenzo Natali and is the reason Don McKellar, pre-Grey’s Sandra Oh and Sarah Polley, not interviewed in the doc, are still my heroes. Thus, the defeatist tone of the film’s first half differs from my experience, because the same people who say that Canadian films suck are the same people who say that Toronto is boring, which, get out there, you’re wrong. Which brings us to the people who don’t give Canadian content a chance who get ‘fair’ representation in the documentary.
It wasn’t until watching “Made in Canada” that I realized if any of those movies made money in theatres where it’s supposed to count. And like every other boring film fan, there’s a few screenplays dancing inside my head, and if writing it feels like walking a mile, getting it out there will feel like a thousand. Good luck to us all.
This makes me want to watch contemporary dance performances more. Mia Michaels is a goddess and a genius. And if anyone can find the video of season 2’s top 4 girls dancing to Dr. Feelgood and choreographed by Sean Cheesman, that would be greatly appreciated. Not the British version, that one sucked.
Lisa Kudrow is doing her Emmy press tour for her show “Web Therapy” that she produces and stars, sounding like the time Phoebe visited Paul Rudd’s parents in Friends. The only thing that reeled me in is her visit to Chelsea Lately of all places, where she reveals that the surprisingly divisive Meryl Streep was in the show. Gotta watch that.
This first one is the least funny of Streep’s three episodes but it starts the story out between Fiona (Kurdow) and Streep’s character. Seriously, I think the Friends alums are funnier after the show went on permanent hiatus. Her and Cox anyway.
When you double click on the video below, leading you to YouTube’s website, there are Iron Lady trailers on the right hand side. I refuse to watch that shit.