…and the quest to see everything

I Participated in This Thing

The Second CAST Awards were announced like four months ago and I’m only posting about it now because I had to catch up on my 2011 movies. Or more appropriately, I said ‘Eff it, I’m going to list my top ten even if everyone’s clamouring about The Raid and no one cares about 2011 anymore.’

I’m also using this news because I always take advantage of any opportunity to make fun of Nicolas Winding Refn‘s overrated movie Drive. Because the other CAST voters placed it as their top film. Or maybe, give it a second chance, since the hype of the movie is the reason I started listening to Kavinsky and College (both bands’ instrumental songs are better than the ones with lyrics), which got me thinking about how I don’t tolerate the soundtrack’s use in the movie while Sofia Coppola’s use of anachronistic music is more palatable in her movie Marie Antoinette from five years ago. In a way both movies have us as an audience are layered on top of themselves as audience members, skewing the narrative and interpreting it as their own.

Me and my friend Sasha James of That Sasha James internet fame reenact or interpretation of Drive‘s dialogue of us just saying ‘Hey’ to each other. Since I have to play The Driver – boo ho me – I say my ‘lines’ with the Peter Fonzarelli accent that Gosling mysteriously has now (Hossein Amini‘s script is very descriptive by the way, making me wonder why that eloquence wasn’t used for the dialogue). And because I’m crazy I do these acting exercises to College’s music when it finally clicked, the sensitivity that’s difficult to catch when your mind is in the wrong place. But how does an actor express and externalize longing and loneliness through ‘Hey?’ I still think that the movie doesn’t do this successfully and I’ll probably never watch the movie again. I will also promise never to make fun of Drive again, but the terrible movies this year makes it difficult for me to find a movie to mock. I don’t like easy targets.

I also wanted to make my top ten post into some manifesto on what I like about movies, since the list may be that diverse. But then I got lazy. So here goes.

Blue Valentine – Because Grizzly Bear is that perfect dash to make Michelle Williams more beautiful.

Pariah – Because I like co-opting other people’s cultures.

Shame – Because it combines how good sex is and how frustrating it is to look for it.

Rampart – Because crazy cameraman are the best.

Tree of Life – Because understanding a movie emotionally should be enough.

Win Win – Because casts should also clown cars.

Jane Eyre – Because sometimes, the first few images are enough.

Essential Killing – Because dream sequences should always be in pink.

The Mill and the Cross – Because I’m a closet Catholic.

The Girl with the Dragon Tattoo – Because violence should always be presented with that sheen.

Now I’m going to wait for some more money, buy Carnage and Chronicle on DVD, watch Cabin in the Woods and whatever else that has a green Metacritic rating, do some laundry, go to the doctor and sleep. This emotionally shitty year is over, thank God!

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2 responses

  1. Must your be so subversive, Paolo. Just make a top 10 list and be proud like us normal folk.

    Who’d have thought – of all the films we intersect on it’s RAMPART? I love that. And that movie is great.

    May 9, 2012 at 7:58 pm

  2. It took me a while to finally write this. I had many top ten lists on my mind and they might never surface.

    And all the best humans like RAMPART. Why don’t people love crazy camera movements? Why don’t audiences like hilariously a-holic protagonists? People should get over themselves and start watching riskier stuff.

    May 10, 2012 at 9:02 am

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