Jean-Pierre Melville slowly worked himself up to become a master of the cinematic frame in his heist films, culminating to Le Cercle Rouge where he attains a balance between the visual and the narrative. There are many memorable images here, like the police doing a search of rural grounds or leggy nightclub dancers but my favourite will be the one where we’re introduced to Yves Montand‘s character. A secret door opens in his bedroom and animals make their way to his bed, these reptiles and other creepy crawlies symbolic of something haunting this ex-police officer. It’s style and terror within the same scene, making its audience sweat. That or maybe I like that shade of blue.
- Reblog: NEW WAVE WEEK! Day 5: Jean-Pierre Melville (magnoliaforever.wordpress.com)