Guilty Pleasure: Analyze This
‘I love Billy Crystal, I want him to host the Oscars,’ so you say but when I hear his name I think, snarkily, like I do with my best friend’s ex-boyfriends. ‘Like really, him?’ National treasure statuses go in waves and I got introduced to him and his work during a hiatus of said status. Others have experienced him during When Harry Met Sally… or now when he upstaged whoever was hosting the Oscars – I have an interesting story of how I missed that glorious moment, by the way. I, however, lump him within middle-aged comedians dominating HBO with dated comedies of the late 1990’s. Tim Allen. Tom Arnold. It’s sad, I know, but he did star as Dr. Ben Sobel in the Harold Ramis directed movie Analyze This.
Oh, I get it, America and Canada loves him because he looks like a human Muppet, with smizing beady eyes and the way he opens his thin lips. It’s funny listening to his muffled voice when he gets high-pitched and irritated with Paul’s demanding ways. He also reaps as much as he can pose as a gangster in Paul Vitti’s (Robert de Niro) place.
With a cast including Lisa Kudrow, Chazz Palminteri as a gangster rival and half of the people who have appeared in “The Sopranos,” Crystal gets sidelined, having to play the normal guy as he normally does. He doesn’t always hit a home run with some punch lines neither. However, I find myself surprised when I chuckle to some of the jokes that I didn’t catch the first or the second time I have seen this. He’s funny when he’s underplaying a punch line about himself as a psychiatrist. His brand of physical comedy more introverted than limb-y.
This movie also came out the same year when the aformentioned “The Sopranos” did, both coincidentally have plots about aging gangster types who deal with their emotional and psychiatric issues. Ben plays a psychiatrist who deals with the sexual ennui of the middle-aged until he lands on a goldmine by getting Paul as a patient. Wackiness and whacking – not off – ensues, chaos being an essential part of every generic comedy. Ben sees Paul merely as a patient but like every other comedy, the latter has boundary issues. Vitti has daddy issues but unearthing those psychological knots also mean that he can convince Ben to talk about his father too. In a way, they’re perfect for each other.
Crystal also gets upstaged and rightfully so by de Niro, who’s on his post-post-Scorsese era. The latter probably did this movie in the tail end of gangster revisionism or genre mash-ups that began a decade before. He gives the character exactly what it needs for a comedy – a childlike nature that makes him think that he beyond scrutiny. Unlike Crystal, de Niro barely if ever plays it down. In some of his scenes he’s angry. In one, he almost seems like he wants to give out a full-on Christopher Walken impersonation. He also uses his signature scrunchy frown in the greatest ways, in one scene transitioning to that to full histrionic crying about his daddy issues that he can’t function during a gangster gun fight.
And since we already brought up the ‘national treasure’ thing. He’s probably the only unscathed survivor of the great actors and actresses of the 1970’s, getting constant work that are equally hit and miss. But we’re also living in a world where Jack Nicholson stipulated in his contract that he can’t work with Lindsay Lohan in any circumstances yet de Niro is in a movie with Katherine Heigl, Jon Bon Jovi and Ashton Kutcher. I don’t like saying this phrase but how the mighty have fallen.
- Inspired by: Robert De Niro (dandizettecharm.wordpress.com)