East of Eden has the best hair. Aaron (Smiths album cover boy Richard Davalos) resting with his girlfriend Abra (Julie Harris) after running around a barn, as his good-natured yet impish younger brother Cal (James Dean) watches from behind an ice-cube. Cal perpetually looking like a teenager who just woke up, perpetually watching. Later on, Aaron again lies down on his stomach on his father’s lawn, face up, the picture of pastoral boyhood, weighing in on the Great War and money concerns as if from a distance. Cal lying down on neighbouring farm land, impatiently watching his rows upon rows of bean sprouts grow from up close. Blessed with bounty, the citizens of Monterey establish civilizations under the guise of creation, of failures and successes but are nonetheless wary of the tension that is actually closer than they think.
They are brothers and therefore born rivals, the story marking their competition even through the different personalities of their parents. Aaron taking on his father Adam Trask (Raymond Massey) and Cal with the mysterious Kate (Jo van Fleet) who lives on a suspicious house on a hill. But the lines within the family criss-cross too. Cal’s entrepreneurial skills come from both parents – as much as his business ventures are unethical, he also gets Adam’s wild yet good-intentioned visions of their Californian goods reaching outside the state. The performances also serve as a key to their genetic similarities, Aaron echoing Kate’s tough-love parental instincts towards Cal, in one scene telling him to go watch the rally. Dean, in turn, plays Cal as fidgety as a regular teenager.
The sequence when Cal and Abra go to the circus, one of the most novelistic and symbol-heavy patterns of storytelling in cinema. These friends walk through a hall of mirrors, skewing one of the most handsome faces in film into monsters. They meet one of Cal’s Mexican girlfriends, he kisses Abra on the Ferris wheel, he climbs down and jumps on a mob. All these events awakening innocent Abra’s sexuality, although her reaction towards him is tame by today’s standards. He becomes an imp again, his jealousy and Adamr’s rejection causing him to tell a family secret that would destroy Aaron, proudly telling his father what he has accomplished. He would twice destroy the angelic female that Aaron holds dear. In a movie about beauty and broken purity, Cal redeems himself, fixing things with his broken self and family as he has always intended.
- James Dean’s Brother Love (MNPP)