Ladies and gentlemen, I present you Louise Fletcher in the film adaptation of “Les Liaisons Dangereuses” called Cruel Intentions. Yeah she’s in this movie, undeservedly provoking Sebastian Valmont’s (Ryan Phillipe) misanthropy, one of the fakest things in the film. The Oscar winner’s got at two scenes, least five lines and loses meatier parts of the film to Christine Baranski or Swoosie Kurtz. Her role is more symbolic, as her century-old estate is the setting for Sebastian, her favourite nephew to clandestinely seduce Kansas born Annette Hargrove (Reese Witherspoon). So yes, I haven’t forgotten that this movie is about the kids.
Yes, this movie asks us to make too many leaps of logic, as Roger Kumble‘s script makes the characters swear too much but oh, they’re private school educated, which accounts for all the witty comebacks. And that their Calvin Klein, minimalist chic makes the actors look like their real ages as opposed to their characters who are supposedly 17. Or that all the rich adolescents in 1999 had therapists and wore two layers during the summer or wore tighty whities or had invisible parents. And that they all suddenly looked younger by the time they wore their private school uniforms.
But I still prefer this over Dangerous Liaisons, since Christopher Hampton’s script is still more affected and mannered than this newer version. The chateaus of France became estates and penthouses inhabited by New York debutants, its gardens turned into Central Park. My generation has probably grown up to be slightly ashamed of loving Sarah Michelle Gellar‘s turn as Kathryn Merteuil, but she matches Philippe’s smugness with her raunchy side, fighting her sexual desire for him and chooses to destroy him instead. Besides, she’s probably the only actress who can dress like Audrey Hepburn and still doesn’t look insipid subvert her character’s mean streak. And Philippe makes Sebastian appeal to Annette instead of simply seducing her, their growing feelings towards each other being both a product of rich man’s cabin fever and that she can actually see sincerity and fragility pouring through, bringing in the change that both he and Kathryn were afraid of.