J or Josh Cody’s (James Frecheville) mother OD’s beside him. He calls maternal grandmother Janine (Jacki Weaver), her little, meek voice telling him to move in with her and her sons, family man Barry Brown (Joel Edgerton), ‘don’t call me uncle’ Darren Cody (Luke Ford) – only two years older than J, and fast-moving shirtless Craig. These men are bank robbers. No biggie.
I assumed toughness from these men, and they do exude that on scene and through grainy footage screenshots of them sporting balaclavas and guns. What destroys their bravado is the decline of the bank robbers, as it goes in many films of the same genre. J also confides that they have fear and feel a familial dread, and looking at the brothers supports that assessment. Barry for example looks like he’s holding in a sigh before talking to the detectives staking out near his front door. Or Craig struggling while play fighting on the couch. Or Darren unable to interfere while someone murders a girl in front of him. There is a little part of me that doubts that fear because the narration technically filters our understand of the characters. However, at least it directs into looking at these men’s eyes at quiet moments within the film.
Then the big brother Andrew ‘Pope,’ (Ben Mendelsohn) pops out of hiding. Pervy and destructive even towards his family, he sets off the crucial events within the film. Pope’s to blame for making things worse – I see it, J sees it, but it’s never fully established whether the other characters do too.
In his misdeeds, the audience watches out for two characters. There’s Janine who seems complicit and J, whose estrangement from the family makes him wired differently from them. He can either be part of the fold or snitch to a detective (unrecognizable Guy Pearce). Their performances are underacted, naturalistic. Weaver as Janine surprises by ordering a hit, slyly dangling the reasons why that hit is beneficial to her henchmen while still keeping her motherly cool. Frecheville as J starts out as a silent wallflower but shines in a scene by himself and in another when he maturely wards off Janine’s empty promises of comfort.
However, what I like best about Animal Kingdom is how it treats these subjects and characters with deft and sympathy, while others could have seen them – watching game shows, smoking indoors, going at each other – as crass human beings.
- Movie review: ‘Animal Kingdom’ a wild thriller (sfgate.com)
- Dan Persons: Mighty Movie Podcast: David Michod on Animal Kingdom (huffingtonpost.com)