TIFF: The Whistleblower
The Whistleblower doesn’t start with our lead, police officer Kathryn (Rachel Weisz), but with Luba and Raya, two local girls in the Ukraine partying it up. Luba tells Raya that she can get out of the latter’s job at her mom’s photocopying place and join her to a hotel job in Central Europe. And you already know where this movie is going.
Based on a true story, in trying to earn money in a short time, Kathryn’s doing peacekeeping in Bosnia for a British contract company called Democra, her family’s in the States. Kathryn thus has a strained relationship with her children, the eldest of whom is as old as the girls being trafficked. She has to be reminded of how ‘not motherly’ she is. Apparently saving young girls from pimps isn’t motherly. The tribulations in Kathy’s Bosnia occupies her mind so much, she and the audience sometimes forget about home.
I’ll stop yelling at my iPod now, where I’m writing this section of the review. Yelling not because of the movie but because of the jerks stopping Kathryn from helping these girls. The peacekeeping forces are a man’s world, most of them are demons but it would seem fictional if they show a vulnerable side. Besides, she only has one female ally (Vanessa Redgrave) out of the handful of female characters in the film. Yes, we still are unaware of ever so prevalent human trafficking. The film tackles the material with impact-filled storytelling – that’s all we ask for. 4/5.