…and the quest to see everything

Seminal Television: The Good News

ph. AMC

The fourth season of Mad Men seems to concentrate more one character pointing out who’s normal and who’s not. The earlier episode, Bert Cooper (Robert Morse) laments that the Civil Rights are the beginning of a descent in America. This episode, it’s the cast donning and taking off their little veils. Joan’s (Christina Hendricks) body looks medically fine despite her past. Her coworkers and her husband still thinks she files cabinets, she still thinks he’s an incompetent doctor foolishly going to Vietnam. But she’s close the door quietly or smile, because she doesn’t like repeating herself.

Don Draper’s (Jon Hamm) first wife Anna still thinks she’s healthy despite a broken leg. He and Lane Pryce (Jared Harris) see a B monster movie in a theatre where ‘hand jobs’ go on. Also, Fake Lenny Bruce makes fun of two men who apparently shouldn’t be sitting in a table together. ‘Wall Street, does it bother your parents that he’s so ugly?’ The periphery penetrating the centre. Lane Pryce responds, ‘We’re not homosexuals, we’re divorced.’ At the same time, I wondered why it would have been more shameful to be the former than the latter.

Later, Lane and Don’s whores come in. The comedian greets them with ‘They’re not queers, they’re rich.’ Gross. Lane points out how well Candace knows his kitchen. ‘She does not go to Barnard.’ Don’s joke, as well as the one by the comedian. also touches upon the good old mad Men theme that things aren’t what they seem. But that doesn’t stop other for figuring each other out.

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