(The last waltz. ph. insideout)
“Children of God” is an island of clichés. The progressive white gay guy, the closet case Uncle Tom, the female preacher infected by her homophobic closeted husband. It’s also a cautionary tale for smarter young gays and gay filmmakers. If you’re gonna let a man inside your rented home after knowing them for a day, do not let them sleep over because he will steal from you or kill you (this doesn’t happen in the movie). Do not pretend ‘allergies’ is an excuse. Do not give bedroom eyes to another guy only to shut him down while your beard pours her drink at his face. Fight homophobia through activism instead of making some ’empowering’ speech only four people will hear.
“I Am Love” has aspects of the perfect art-snob film: style, deconstructing the rich and a baffling ending. Set in Milan, the film profiles the Recchis. Edo invites to dinner his middle class girlfriend Eva. His sister Betta reveals her lesbianism to him and to their mother Emma (Tilda Swinton), who’s bound to show her wild side soon. The film has a sensory feel to it and is capable of tragedy – the latter making us wonder how the family’s rebels are going to carry on. The audience laughed at the ending. I liked the movie, but the worst thing I can say about it is that it’s partly a movie about food that’s never made me feel hungry. Who eats flowers? What is wrong with rich people?