Everything You Always Wanted to Know…
An uneven start for Woody Allen. Only two of the segments were really funny. Three if you count the sodomy scene, which was hilarious until it went a little too long. Four if you count the aphrodisiac scene, showing that he can do Marx Brothers better than the Marx Brothers. But that scene has foundations on base humour. But the good outshines the bad.
My favourite sketch would have to be the perverts sketch. The whole movie is full Holy Batman Gene Wilder/Burt Reynolds, but here we have Regis Philbin, looking and sounding the same. It takes a bourgeois and banal approach to sexual perversion, as Regis and the panel take guesses, nobody snickers or passes judgment. Both perverts featured on the show are male – most of the film focuses on male desire and trying to figure out women. The gag is that this show would have never made it on television even if this is the sexy 70’s. Add a masochistic ending involving a Rabbi’s fetish and we have a winner. I don’t know why I love Jewish humour but I do.
My other favourite is the female orgasm scene. Woody’s best acting is probably in this movie and this scene, perfectly embodying the cool Italian lover instead of the awkward New Yorker persona that he has. His early career has films showing his take on European auteurs, this time taking on Antonioni but making it hilarious. Sure, the character still has insecurities but those insecurities don’t weigh him down. He and his wife in the scene look good together. She can only reach orgasm in public places, and that’s the only thing we know about her.
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